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・ Karl König
・ Karl Körner
・ Karl Köther
・ Karl Köther (cyclist, born 1905)
・ Karl Köther (cyclist, born 1942)
・ Karl Kühn
・ Karl Künstler
・ Karl Küpfmüller
・ Karl L. Ericson
・ Karl L. Littrow
・ Karl L. Mallette
・ Karl L. Rankin
・ Karl L. Rundberg
・ Karl Lacey
・ Karl Lachmann
Karl Lagerfeld
・ Karl Lambert
・ Karl Landsberg
・ Karl Landsteiner
・ Karl Lang
・ Karl Langdon
・ Karl Lange (Nazi persecutee)
・ Karl Langer
・ Karl Langer (architect)
・ Karl Langesee
・ Karl Lark-Horovitz
・ Karl Larsen
・ Karl Larsen (disambiguation)
・ Karl Larsson
・ Karl Larsson (artist)


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Karl Lagerfeld : ウィキペディア英語版
Karl Lagerfeld

Karl Otto Lagerfeld〔 (born 10 September 1933) is a German fashion designer, artist, and photographer based in Paris. He is the head designer and creative director of the fashion house Chanel as well as the Italian house Fendi and his own fashion label. Over the decades, he has collaborated on a variety of fashion and art-related projects. He is well recognized around the world for his trademark white hair, black glasses, and high starched collars.〔The ways in which Lagerfeld has carefully crafted his iconic image is explored in the 2007 documentary, ''Lagerfeld Confidential''〕
==Early life==
Lagerfeld was born on 10 September 1933〔 in Hamburg, Germany and is the son of businessman Otto Lagerfeld (1881–1967), and his wife Elisabeth Bahlmann (1897–1978). His father owned a company that imported and produced evaporated milk, while his grandfather Karl Bahlmann was a local politician for the Catholic Centre Party.〔(Der große Karl wird doch schon 80 ), ''Die Welt''〕 His family belonged to the Old Catholic Church. When she met his father, Lagerfeld's mother was a lingerie saleswoman from Berlin. His parents were married in 1930.〔(Otto Lagerfeld ), in ''Neue Deutsche Biographie''〕
Lagerfeld is known to misrepresent his birth year, claiming to be younger than his actual age, and to misrepresent his parents' background. For example, he has claimed that he was born in 1938 to "Elisabeth of Germany" and Otto Ludwig Lagerfeldt from Sweden, although these claims have been conclusively proven to be entirely wrong, as his father was from Hamburg and spent his entire life in Germany, with no Swedish connection whatsoever.〔〔 There is also no evidence that his mother Elisabeth Bahlmann, the daughter of a middle class local politician, called herself "Elisabeth of Germany."〔 He is known to insist that no one knows his real birth date. In an interview on French television in February 2009, Lagerfeld said that he was "born neither in 1933 nor 1938."〔Interview on ''On n'est pas couché'', France2, 21 February 2009〕
In April 2013 he finally declared that he was born in 1935.〔http://fr.news.yahoo.com/karl-lagerfeld-r%C3%A9v%C3%A8le-%C3%A2ge-premi%C3%A8re-fois-064500963.html〕 A birth announcement was, however, published by his parents in 1933, and the baptismal register in Hamburg also lists him as born in that year, conclusively proving that he was born on 10 September 1933.〔(Der grosse Karl wird schon 80 ) Die Welt, 7 July 2013
(biography ) at Munzinger-Archiv 〕 ''Bild am Sonntag'' published his baptismal records in 2008 and interviewed his teacher and a classmate, who both confirmed that he was born in 1933. Despite that, Karl Lagerfeld announced publicly that he was celebrating his "70th birthday" on 10 September 2008, despite actually turning 75.〔(„Der Modedesigner und seine Geburtstags-Mogelei: Der große Karl macht sich ein klein wenig jünger“ ), Bild.de, 10 September 2008〕〔(„Karl Lagerfeld wohl fünf Jahre älter als angegeben“ ), ORF, 6 September 2008〕〔(''FAZ'' ), 4 September 2008〕
His older sister, Martha Christiane (a.k.a. Christel), was born in 1931. Lagerfeld has an older half-sister, Thea, from his father's first marriage. His family name has been spelled both Lagerfeldt (with a "t") and Lagerfeld. Like his father, he uses the spelling Lagerfeld, considering it to "sound more commercial."
His family was mainly shielded from the deprivations of World War II due to his father's business interests in Germany through the firm Glücksklee-Milch GmbH. His father was in San Francisco during the 1906 earthquake.〔Horyn, Cathy, "Why Fashion Films Are Usually Cartoons," ''New York Times,'' Sun. Oct. 6, 2013, p. 13〕
After attending a private school, Lagerfeld finished his secondary school at the Lycée Montaigne in Paris, where he majored in drawing and history.
Lagerfeld was hired as Pierre Balmain's assistant after winning the coats category in a design competition sponsored by the International Wool Secretariat in 1955. In 1958, after three years at Balmain, he moved to Jean Patou where he designed two ''haute couture'' collections per year for five years. His first collection was shown in a two-hour presentation in July 1958, but he used the name Roland Karl, rather than Karl Lagerfeld. Although, in 1962, reporters began referring to him as Karl Lagerfelt or Karl Logerfeld. The first collection was poorly received. Carrie Donovan, an American fashion journalist, wrote that "the press booed the collection". The UPI noted: "The firm's brand new designer, 25-year old Roland Karl, showed a collection which stressed shape and had no trace of last year's sack." The reporter went on to say: "A couple of short black cocktail dresses were cut so wide open at the front that even some of the women reporters gasped. Other cocktail and evening dresses feature low, low-cut backs." Most interestingly, Karl said that his design silhouette for the season was called by the letter "K" for Karl, which was translated into a straight line in front, curved in at the waist in the back, with a low fullness to the skirt.
His skirts for the spring 1960 season were the shortest in Paris, and the collection was not well received. Carrie Donovan wrote that it "looked like clever and immensely salable ready-to-wear, not couture." For his late 1960 collection, he designed special little hats, pancake shaped circles of satin, which hung on the cheek. He called them "slaps in the face." Karl's collection was said to be well received but not groundbreaking. "I became bored there, too, and I quit and tried to go back to school, but that didn't work, so I spent two years mostly on beaches—I guess I studied life."' In 1963, he began designing for Tiziani, a Roman couture house founded that year by Evan Richards (b. 1924) of Jacksboro, Texas. It began as couture and then branched out into ready-to-wear, bearing the label "Tiziani-Roma—Made in England." Lagerfeld and Richards sketched the first collection in 1963 together. "When they wound up with 90 outfits, Tiziani threw caution and invitations to the winds, borrowed Catherine the Great's jewels from Harry Winston, and opened his salon with a three-night wingding," according to one report in 1969. Lagerfeld designed for the company until 1969. Elizabeth Taylor was a fan of the label; she referred to Evan as Evan Tiziani, which was, of course, not his family name, and began wearing the outfits in August 1966. Gina Lollobrigida, Doris Duke, and Princess Marcella Borghese were also customers while Lagerfeld was designing the line. He was replaced in 1969 with Guy Douvier (1928–1993).
Lagerfeld began to freelance for French fashion house Chloé in 1964, at first designing a few pieces each season. As more and more pieces were incorporated, he soon designed the entire collection. In 1970, he also began a brief design collaboration with Roman ''haute-couture'' house Curiel; its head was Gigliola Curiel, who died in November 1969. Lagerfeld's first collection there was described as having a "drippy drapey elegance" designed for a "1930s cinema queen." The Curiel mannequins all wore identical short-cropped blonde wigs. He also showed black velvet shorts, worn under a black velvet ankle-length cape.
His Chloé collection for spring 1973 (shown in October 1972) garnered headlines for offering something both "high fashion and high camp." He showed loose Spencer jackets and printed silk shirt-jackets. He designed something he called a "surprise" skirt, which was in an ankle-length, pleated silk, so loose that it hid the fact it was actually pants. "It seems that wearing these skirts is an extraordinary sensation," he told a reporter at the time. He also designed a look inspired by Carmen Miranda, which consisted of mini-bra dresses with very short skirts, and long dresses with bra tops and scarf shawls.
From 1972, he collaborated with Italian fashion house Fendi, designing furs, clothing, and accessories.
Since the 1970s, Lagerfeld has occasionally worked as a costume designer for theatrical productions. He collaborated with stage directors such as Luca Ronconi and Jürgen Flimm, and designed for theaters such as La Scala in Milan (''Les Troyens'' by Hector Berlioz, 1980; directed by Ronconi), the Burgtheater in Vienna (''Komödie der Verführung'' by Arthur Schnitzler, 1980; directed by Horst Zankl), and the Salzburg Festival (''Der Schwierige'' by Hugo von Hofmannsthal, 1990; directed by Flimm).

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